We publish only work by Lesbians. We are particularly interested in work that reflects the diversity of our experiences: as Lesbians of color, ethnic Lesbians, Jewish, Arab, old, young, working class, poverty class, disabled, and fat Lesbians. We welcome experimental work. We will not print anything that is oppressive or demeaning to Lesbians or women, or that perpetuates stereotypes. We keep an open and critical dialogue on all the issues that affect our lives, joy, and survival.

This special issue of Sinister Wisdom is dedicated to commemorating the forty-fifth anniversary of the Lesbian Herstory Archives (LHA). It celebrates LHA, an institution committed to collecting, preserving, and honoring lesbian identities, herstories, and lives across generations. The issue will be curated by a collective of LHA volunteer coordinators.
In this issue of Sinister Wisdom we will curate a diversity of lesbian voices, values, traditions, and experiences. We will document our past and present, imagine a future, and honor the power of this important space. We are particularly interested in works that reflect the personal impact of the Archives--the collections, organization and space--on lesbian lives and self understanding as well as research, work, and politics. We welcome submissions from all those who feel themselves to be connected to LHA, researchers, coordinators, interns, volunteers, educators, donors, speakers, visitors, writers, artists, organizers and activists. We encourage lesbians and queers from all races, ethnicities, ages, abilities, religions, and gender identities to submit their work.

Contributors may wish to explore topics such as:
• intergenerational respect and collaboration
• radical organizational structure, consensus and praxis
• archival documentation and herstorical repositioning
• art and culture as resistance
• difference and coalitional work
• the multiplicity of lesbian cultures and communities
• privilege and marginalization
• poor and working class lesbian lives
• elder lesbians
• at-homes and memorial marathon readings at LHA
• issues of access and power
• issues of ability
• influence of LHA on your/group activism
• representation of lesbians of color, i.e., African American, Latina/x, Asian American, and Native American, among other racial and ethnic identities
• recollections of being at LHA, a space dedicated to Lesbian herstory
• memories of events experienced, friendships made, love found or lost at LHA
• learning and teaching at LHA
• staffing and volunteering at LHA
• stack by stack: the herstory of the LHA building
• origins of LHA in 13A, the apartment of LHA founders, and the feeling of home still maintained at LHA
• the spectrum of lesbian and queer genders, such as, passing women, butch, femme, genderqueer, nonbinary, and trans identities
• reminiscences of being transported by a box of diaries, letters, an album of photographs, the voice of a poet reading their own work
• excitement and/or anxiety of donating to the LHA collection
• grief and the commemoration of a loved one’s life through donation to the collections
• your transformative experience at LHA

We welcome submissions of poems, personal essays, short stories, oral histories, interviews, plays, zines, comics, mixed-genre or experimental pieces, and other original writing of no more than 5,000 words. Shorter works or excerpts are welcome. Visual artists can send black and white photos of as many as five paintings, drawings, or other original artwork. All writing submissions should be in docx, and for art, please use .jpg, .gif, or .tif (300dpi). We will be adhering to Sinister Wisdom's publishing guidelines which follow the Chicago Manual of Style. If you are not familiar with these guidelines, please contact the editors at lesbianherstoryarchives@gmail.com, and we will assist with any questions you may have. The deadline for submissions is September 1, 2018; however, early submissions are encouraged and appreciated. Please submit electronically.  We look forward to your contribution.

Sinister Wisdom Lesbian Herstory Archives Issue Editor Bios

Deborah Edel is one of the founders of the Lesbian Herstory Archives.  She has been involved with the Archives from that first gleam in the eyes of the women planning the project to the present.  She has served as the treasurer throughout and  answered most of the mail before email took over.  She has bowed out of that enormous responsibility but still will answer letters written to LHA. Deborah is now retired and she and her partner Teddy are trying to do as much travelling as they possibly can.  Trained as a social worker and psychologist, she was the Director of Admissions and head of the Counseling Support Program at Mary McDowell Friends School, a Brooklyn based Friends school for youngsters with Learning Disabilities for many years.

Morgan Gwenwald is currently an Associate Librarian at the State University of New York at New Paltz where she is the Head of Special Collections. She has also taught in the Women, Gender, and Sexuality Studies Program on campus. Prior to this she was the Executive Director of In the Life (the PBS LGBTQ TV series), worked as an MSW (at Fountain House, Columbia University, Senior Action in a Gay Environment and Stony Brook University) and also worked at the Gay and Lesbian Alliance Against Defamation. She is an established photographer (widely published in the Women’s and LGBTQ press) and has served as a volunteer coordinator at the Lesbian Herstory Archives for over 20 years. She is working on a major digitization of her archive of negatives of the women’s, lesbian and LGBTQ communities.

Stevie Jones is one of the newer coordinators at the Lesbian Herstory Archives and a co-facilitator of LHA's Lez Create Dyke Arts Workshop.  Stevie’s work has recently been published in Sinister Wisdom.  She is also a friend and frequent visitor to Woodstock Farm Sanctuary, where she was a weekly volunteer for years.

Joan Nestle, writer, saw LHA grow from one bookshelf in 1974 and a dream of a new kind of social history into the fullness of lives it honors today. She is the author, editor and co editor of 9 books on lesbian and queer culture, including the memoirs A Restricted Country (1987) and A Fragile Union, (1998); editor of Persistent Desire: A Fem-Butch Reader, (1992); co editor with Naomi Holoch of three anthologies of Lesbian short fiction, Women on Women, (1990, 1992, 1996); with John Preston, Sister and Brother: Lesbians and Gay Men Write about Their Lives Together, (1991); and with Riki Wilchins and Clare Howell, GenderQueer: Views from Beyond the Binary (2002). Her recent writings can be found on Joannestle.com. All of her books are formally out of print, but when readers do find her words, her deepest wish is that they give them the strength to resist the public ugliness of the Trump era.

Flavia Rando, Ph.D., is an art historian who teaches Lesbian, Women’s, and LGBTQ Studies. A long time lesbian activist, she was a member of Gay Liberation Front and Radicalesbians and has continued this work as an academic activist.   She is a Lesbian Herstory Archives coordinator, who in 2011, inaugurated the Lesbian Studies Institute at the Archives.  She will begin the seventh year of classes in spring 2018.   She has taught “Classic Lesbian Theorizing,” for the Center for Lesbian and Gay Studies, CUNY, and is currently working on a study of 1970’s lesbian artists for the catalogue of Art Since Stonewall: 1969-1989.

Shawn(ta) Smith-Cruz is Assistant Professor and Head of Reference at the Graduate Center Library of the City University of New York. Her work has appeared in Sinister Wisdom: A Lesbian Literary and Art Journal, Journal of Lesbian Studies, Frontiers: A Journal of Women’s Studies, multiple Library Juice Press publications and others. She is a board member for the Center for LGBTQ Studies/CLAGS where she chairs the archives committee, and is on the advisory board for Gale Primary Resources’ Sexuality and Gender database. She speaks internationally on Black Lesbian archival narrative sourcing the work from collections of the Lesbian Herstory Archives, where she is a volunteer Coordinator. From Queens College, CUNY she received her MLS with an archival certification, and her MFA in Creative Writing with a focus in Fiction. She co-edited Sinister Wisdom 103: Celebrating the Michigan Womyn’s Music Festival and enjoys storytelling, narrative, and offering her energy to lesbian-specific spaces.

Amy Washburn, Ph.D., is Assistant Professor of English and Co-Director of Women’s and Gender Studies at Kingsborough Community College (CUNY). She also is Adjunct Assistant Professor of Women and Gender Studies at Hunter College (CUNY). Her articles appear in Journal for the Study of Radicalism, Women’s Studies: An Interdisciplinary Journal, and Journal of Lesbian Studies. Her poetry collection Crestview Tree Woman was published by Finishing Line Press. She co-edited Sinister Wisdom 103: Celebrating the Michigan Womyn’s Music Festival. She is currently co-editing Sinister Wisdom's Dump Trump: Legacies of Resistance issue with Cheryl Clarke and Morgan Gwenwald. She is a coordinator at the Lesbian Herstory Archives and of the Rainbow Book Fair.

Maxine Wolfe is an LHA coordinator and has been a volunteer at LHA since 1984.  She organized and facilitated the book, t-shirt, organizations, special collection and spoken word digitization projects. A longtime lesbian and feminist organizer, among other work she was one of the founders of the Lesbian Avengers, of the NY and National ACT UP Women’s Committees and Women for Women. She was on the national board of the Reproductive Rights National Network and was a member of the Coalition for Abortion Rights and Against Sterilization Abuse and the Coalition Against Racism, Sexism and Heterosexism. She is a Professor Emerita of the Environmental Psychology Ph.D. Program at the City University of New York Graduate School.

Ends on April 30, 2018

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While Landdykes’ issue (Sinister Wisdom 98: Landykes of the South) focused on the lived experiences of lesbians in rural communities, what are the lived experiences of lesbians in the city. Where do the lesbians in the city come from if and when not from the city? What propels them to move into the city? What propels you to stay in the city? What, for some of you, inspires you to leave?

This special issue is focusing on how lesbians live in the city, whether they live in the city by themselves or within intentional community. We are specifically interested in lesbians who write, draw, take photos of the transition into the city as it documents how the move into the city changes their lives. We are also interested in the lesbians who have never left the city; who help make the city a safe haven for the lesbians who move into the city from non-cities. And what about the lesbians who write about why despite the parades and the marches and the organizations, the city was not all it was for everyone who moved there, who stayed there. Not just the cities--New York, Portland, Seattle, Chicago, Austin, Oakland, or San Francisco--where we’ve always been known to be. We also want to know about the cities where lesbian visibility is growing like Las Vegas, Phoenix, Miami.

While the visibility in the city sparks our interest, so too does the "disappearing dyke spaces," stories. Pulling from the Vice documentary called The Last Lesbian Bars, it's on Vice, which addresses the lack of physical spaces for lesbians to come together, how are those that built them coping? How are millennials are adapting to their absence? What are they/we using to socialize, mobilize and meeting one another? Let us know!

In sharing your stories, your photos, your drawings, your interviews, your poems, tell us how the city changed what being a lesbian means to you. Let us know if and how “the city” allows you to be a bigger, badder, lesbian. Let us know if being a lesbian was not enough when you arrived and when you settled into the city. Show us the pictures of your ‘lesbian city;’ tell the story of what a ‘lesbian city,’ would, could or should look like. Tell us why, tell us how, tell us when. Whether you’re 19 or 91, what are the lesbians in the city like? what is your lesbian experience in the city like? How did transitions in ethnic, racial, class, gender diversity change your individual and collective understanding of lesbianism? What are the negotiations you make to be a lesbian in the city you were born, in the city where you ‘came out,’ in the city where you landed?

We look forward to diversifying the face and body of lesbians riding on trains, biking on the road and moving into skyscrapers. Scrape the sky of our imagination with your creation.


All offerings of work for this issue should be made by April 30, 2018. The anticipated publication date is October 2019.



Guest Editors:


Erika Gisela Abad was born and raised in Chicago, though she’s lived in Portland, OR, Las Vegas, NV and visited NYC, Cleveland, OH, and Seattle, WA throughout her academic and political career. She will be presenting “Who will read, write or buy our happy endings,” at Clexacon and in 2016, she presented on LGBT Rican issues in Chicago at summits hosted by the Center for Puerto Rican Studies. She has supported Sinister Wisdom reviewing issues such as Landdykes, and What can I ask. She’s been published in Sinister Wisdom’s Out Latina Lesbians in 2015, among other venues such as BlazeVox, Mujeres de Maiz Identity Blinging, Black Girl Dangerous. She was a frequent performer of Portland, OR’s Dirty Queer between 2011 and 2016. She’s also been a feature for Chicago’s Surviving the Mic and for Rape Victim Advocate’s  2016 open mic. An essayist, fiction writer and scholar, she blogs at erikagabad.wordpress.com. You can follow her on Twitter @lionwanderer531.  She teaches in the Interdisciplinary, Gender and Ethnic Studies Department at University of Nevada, Las Vegas.


Claudia Rodríguez, is a writer/performer from Compton. She is the author of “Everybody’s Bread,” her first published collection of s poems (Korima Press 2015). Her work has appeared in Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts in Los Angeles: An Anthology. Tia Chucha Press. 2016, Mexican American Baseball in the Pomona Valley, Baby Remember My Name: An Anthology of New Queer Girl Writing. Edited by Michelle Tea, Chicana/Latina Studies: the journal of MALCS Fall 2004 Issue. Claudia received a COLA Fellow Award from the City of Los Angeles Department of Cultural Affairs in 2015 and a Resident Artist Award in 2014 also from the City of Los Angeles Department of Cultural Affairs. Her interests are in developing community-based art. Oral history, queer publications, youth-oriented poetry workshops, and theater are some of the genres she’s worked with over the last nineteen years. As co-founder of Butchlalis de Panochtitlan (BdP), a performance ensemble, she authored and performed sketches addressing the intersectionality of gender, immigration status, race and class and issues such as gentrification, intimate partner violence, addiction and interracial desire. 


More about Claudia Rodriguez, MFA at http://rodriguezwriter.blogspot.com


Yovani Flores was raised in Chicago’s Humboldt Park community spent childhood summer in Puerto Rico, and lives in Phoenix, Arizona. Her stories are swathed in diaspora roots, memory keeping and imaginations of a young queer girl. Flores’ debut Short Story, El Lloron was featured on NPR’s Three Minute Fiction Contest, won a second place writing Prize from Curbside Splendor Publishing, and published in The Journal of Latina/Chicana Studies. Her work appears in Acentos Review, Drunken Boat, Latino Perspectives Magazine, Repeating Islands, Esta Vida Boricua: Universidad de Puerto Rico, Mayaguez. Centro Voces: Center for Puerto Rican Studies CUNY, La Repuesta, Contributor at La Tolteca Zine, and Guest Editor at 5Q: Five Quarterly Magazine. 

Chair, AJAAS: Association de Jotería, Arts, Activism and Scholarship. 

Co-Founder, Producing Director of Mujeres del Sol. 

Co-Founder, Las Pilonas Productions, supporting actor in Thresholds, an Award Winning short film by Las Pilonas Productions, Directed by Linda Garcia Merchant, Co-Producers, Writers Yovani Flores, Evon Flores Barrera, Linda Garcia Merchant.  

Ends on July 30, 2018

Writing collectives/groups have played an integral part in lesbian literary history, and this special issue of Sinister Wisdom seeks to interrogate the role they have played in supporting our personal writing, as well as their impact on the larger lesbian literary community. In this issue of Sinister Wisdom, guest editors S. (Stephanie) Andrea Allen and Lauren Cherelle are seeking personal essays, stories, interviews, oral histories, poetry, short academic papers, and other original writing and art focused on lesbian writing collectives.

Organizing questions for this issue include: What lesbian writing collectives have supported your writing? How do lesbian literary collectives help foster your creativity? How have lesbian writing collectives helped to improve your writing/writing journey? What has been your experience facilitating or hosting writing collectives? How does your collective find members? What are the guiding principles of your writing collective? How do lesbian writing collectives counter systems of oppression? What challenges has your writing collective/group faced? How have you addressed those challenges? What lessons can we learn from lesbian writing collectives/groups of the past? What technological innovations have you used to create/facilitate/host your writing collective? Has your writing collective/group collaborated with other writing collectives? How has your writing collective supported your local community? We are especially interested in hearing about your successes and your accomplishments, so tell us what has worked, but don’t be afraid to tell us what didn’t.

Submit to Sinister Wisdom's themed issue on Lesbian Writing Collectives by July 30, 2018.

Guest Editors:

S. (Stephanie) Andrea Allen, Ph.D., is a native southerner and out Black lesbian writer, scholar, and educator. She is Founder and Publisher at BLF Press, an author-centered, independent, Black feminist press dedicated to amplifying the work of women of color; and recently co-founded the Black Lesbian Literary Collective “as a collaborative effort among women with shared cultural experiences who desire a nurturing and productive writing setting.” She is the author of A Failure to Communicate (BLF Press, 2017), a collection of short fiction and essays, and co-edited Lez Talk: A Collection of Black Lesbian Short Fiction (BLF Press, 2016), and Solace: Writing, Refuge, and LGBTQ Women of Color (BLF Press, 2017).

Stephanie holds a Ph.D. in American Studies from Purdue University, a M.A. in English from Auburn University, and a B.A. in English from Columbus State University. Her scholarship examines the marginalization of Black lesbian cultural productions and the intersections of race, class, gender, and sexuality that contribute to the marginalization of Black lesbians in popular and literary culture.

Lauren Cherelle uses her time and talents to traverse imaginary and professional worlds. She manages and writes for Resolute Publishing, an independent publisher that helps transform dreams into realities for women. Lauren co-edited Solace: Writing, Refuge, and LGBTQ Women of Color (2017) and co-directs the Black Lesbian Literary Collective. She is the author of the f/f novel, The Dawn of Nia (2016), and she has written short stories for Lez Talk: A Collection of Black Lesbian Short Fiction (2016) and G.R.I.T.S: Girls Raised in the South — An Anthology of Queer Womyn’s Voices & Their Allies (2013). Her stories reflect the lives of Southern Black girls and women.

Lauren holds an MBA from the University of Tennessee and writing certifications from the University of Louisville. During the week, she works in nonprofit development. On the weekends, she hangs up her fundraising hat to focus on personal writing and family. Join Lauren on Twitter: @laurencre8s and @blacklesfic.

NOTE: Sinister Wisdom is filled for 2014. You may continue to submit work - and we will continue to accept work, but it will be for publication in 2015 and beyond.

Material may be in any style or form, or combination of forms.

Maximum: five poems, two short stories or essays, OR one longer piece of up to 5,000 words.

Please proofread your work carefully; do not send us changes after the deadline.

Please send a short contributor biography between 25 and 125 words with your submission.



We use three pieces of full-color visual art each year for the cover of the journal. We invite visual artists to submit .jpg or .gif files of their work for consideration through Submittable.

If your work is selected, you will have to provide us high-quality .tiff files to print the cover.

We print black and white images in the pages of the journal and invite artists to submit black and white images as .jpg or .gif files for consideration. Again, if work is selected, you will have to provide us with high-quality.tiff files to print inside the pages of the journal.